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| MAX WILLIAMSLog of interview 23rd of April 2007 in Bega To listen to the whole interview contact me. For copyright and aesthetic reasons the raw recordings are not available on-line. |
0:20 |
| Date wrong (I say March 23rd) |
0:34 | 1:24 | I read bio from The Unforgiving Poem |
1:30 | 2:13 | |
2:13 | 3:58 | Rodney Hall tells him he can write and helps him |
3:58 | 4:30 | Poetry books in prison |
4:30 |
| Hall advises him to forget learning technique and just write |
4:58 | 5:28 | The opera house, Judith Wright introduces him to the crowd |
5:40 | 6:24 | Ballet dancers choreograph and perform Dingo, the poem |
6:34 |
| Schools and CAE work for Poetry Society of Australia |
6:56 |
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7:47 | 9:10 | North Shore school, asks the teacher to leave the class |
10:04 |
| Q: The strengths of your poetry? |
10:22 |
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10:42 |
| I just act natural |
11:33 |
| There is no professional inside him. |
11:35 | 11:53 | |
12:11 | 12:49 | |
13:13 | 14:00 | Not meaning to put professionals down |
14:05 |
| Dorothy Hewett, good poet, good friend, social historian, admires her subject matter |
15:00 |
| Crudeness in poetry |
15:20 | 16:02 | Bad language is in bad taste |
16:05 |
| Cover of The Unforgiving Poem |
16:15 |
| Baronda and his association with Wes Stacey |
17:45 | 18:24 | Gap, looking for poems to read, all are untitled |
18:55 |
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19:55 | 20:10 | The tinker in Tanja |
20:30 |
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21:30 | 22:10 | |
22:10 |
| A woman he did not do well with (? Name) |
22:50 | 23:38 | |
23:50 |
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24:04 | 24:59 | Max reads The Unforgiving Poem |
25:42 |
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26:24 | 27:15 | |
27:32 |
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28:42 |
| Stepmother poem |
29:00 | 29:20 | Marriage no influence on writing |
29:25 | 30:28 | His favourite poets Homer and Neruda |
30:28 | 31:14 | |
31:14 | 33:10 | |
33:12 | 34:00 | Max was a red ragger for a while |
34:50 | 35:50 | Max reads |
36:25 |
| His boss Slave in 1966; Wollongong Coke Ovens |
38:27 |
| Grahams talks about Slave, the word |
39:13 | 40:43 | |
41:26 |
| Fred Hollows |
42:00 |
| The shiela and kid he picked up on the way |
43:03 | 43:30 | |
43:35 |
| Fred supported his work, the house they shared |
44:47 |
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46:14 | 46:42 | |
46:44 | 48:30 | Q: how do you see your life looking back...wasted youth, yes, he was a poet |
48:30 | 49:15 | A school essay he was the hero of |
49:15 | 50:03 | Wished his family had lived to see his success after 50 |
50:08 | 52:00 | |
52:04 | 53:17 | |
54:00 | 56:41 | |
56:42 | 57:35 | |
57:43 | 58:40 | Learning to separate good and bad people as he got older |
59:40 | 60:02 | |
60:05 | 60:20 | Thanks |